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    • Guitar
      • Level 1
      • Level 2
      • Jazz Guitar
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      • 0. Prerequisites
      • 1. Jazz Chords
        • A. The Shell and Chord Theory
        • B. The 2-5-1 Progression
        • C. Jazz Chord Voicings
      • 2. Blues Comping and Improvisation
      • 3. Jazz Comping and Improvisation
      • 4. Solo Jazz Piano
    • Saxophone
      • 1. Introduction to Saxophone
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    • Bass
  • Learn Real Book Tunes
    • Index
    • Blues Tunes 1
    • Modal Tunes 1
      • So What (Dorian)
      • Footprints (Dorian)
      • Impressions (Dorian)
      • All Blues (Mixolydian)
      • Freddie Freeloader (Mixolydian)
    • Straight Ahead Tunes 1
      • Satin Doll
    • Ballads and Pop Tunes 1
    • Blues Tunes 2
    • Straight Ahead Tunes 2
      • Black Orpheus
    • Modal Tunes 2
    • Other Tunes
  • Scales 1
    • Why Scales?
    • The Chromatic Scale
    • Pentatonic and Blues Scales
    • Modes of the Major Scale
      • Major: Ionian and Lydian
      • Minor: Dorian, Aeolian, and Phrygian
      • Dominant: Mixolydian
      • Half-Diminished: Locrian
    • Modes of the Melodic Minor Scale
      • Melodic Minor
      • Dominant: Lydian Dom. and Altered Dom. Scales
      • Mixolydian â™­6
      • Half-Diminished: Locrian â™®2
  • Scales 2
    • Bebop Scales
    • Diminished and Whole Tone Scales
    • Modes of the Harmonic Minor Scale
    • Jazz Scales: Wikipedia
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  • Melody Tips for Composition/Improvisation
  • Assignment

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  1. Learn Real Book Tunes
  2. Straight Ahead Tunes 2

Black Orpheus

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Last updated 3 years ago

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Melody Tips for Composition/Improvisation

You can superimpose a chord progression known as the over the first four bars of Black Orpheus. The progression is i, VII, VI, V7 or in concert A minor, Am, G, F, E7. You can add sevenths to each of these for Black Orpheus:

Watch the video below: How to Write a Great Melody by David Bruce. The examples apply directly to this chord progression, but the principles are universal. His 10 principles are listed below the video.

  1. Use notes from the chords

  2. Try other ways through the chords

  3. Passing notes and other "non-chord tones"

  4. Suspensions, anticipations, and pedal tones

  5. Use sequences

  6. Think about overall shape of progression

  7. Adapting the sequence to the situation

  8. Find a balance between steps and leaps

  9. Keep the rhythm interesting

  10. Play with expectation and overall shape

Assignment

After watching the video, make your own 4 bar melody over this cadence. Just hold on to your resultant sheet music (no need to turn it in). You could potentially use this melody (or ideas from it) when soloing on Black Orpheus. Here's a backing track for you to try playing it over:

Andalusian Cadence
How to Melody
Black Orpheus Backing Track
Black Orpheus with the Andalusian Cadence