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      • Level 1
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      • 0. Prerequisites
      • 1. Jazz Chords
        • A. The Shell and Chord Theory
        • B. The 2-5-1 Progression
        • C. Jazz Chord Voicings
      • 2. Blues Comping and Improvisation
      • 3. Jazz Comping and Improvisation
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      • 1. Introduction to Saxophone
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  • Learn Real Book Tunes
    • Index
    • Blues Tunes 1
    • Modal Tunes 1
      • So What (Dorian)
      • Footprints (Dorian)
      • Impressions (Dorian)
      • All Blues (Mixolydian)
      • Freddie Freeloader (Mixolydian)
    • Straight Ahead Tunes 1
      • Satin Doll
    • Ballads and Pop Tunes 1
    • Blues Tunes 2
    • Straight Ahead Tunes 2
      • Black Orpheus
    • Modal Tunes 2
    • Other Tunes
  • Scales 1
    • Why Scales?
    • The Chromatic Scale
    • Pentatonic and Blues Scales
    • Modes of the Major Scale
      • Major: Ionian and Lydian
      • Minor: Dorian, Aeolian, and Phrygian
      • Dominant: Mixolydian
      • Half-Diminished: Locrian
    • Modes of the Melodic Minor Scale
      • Melodic Minor
      • Dominant: Lydian Dom. and Altered Dom. Scales
      • Mixolydian â™­6
      • Half-Diminished: Locrian â™®2
  • Scales 2
    • Bebop Scales
    • Diminished and Whole Tone Scales
    • Modes of the Harmonic Minor Scale
    • Jazz Scales: Wikipedia
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On this page
  • The ii-V Chord Progression
  • Target Notes and Passing Notes
  • The Charts
  • Help Sheets

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  1. Learn Real Book Tunes
  2. Straight Ahead Tunes 1

Satin Doll

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Last updated 5 years ago

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Ah, the sweet sounds of Sir Duke. The beginning of the arrangement is an exhibition in saxophone arranging -- listen to how well they blend. When the trombones enter at the end of the phrase with their counter melody and the trumpets create dynamic contrast with their stabs, the ensemble is complete. I could go on about the arranging and performance on this one, but I'll leave it to you to discover the perfect moments that only one of the greatest jazz orchestras ever could create.

The ii-V Chord Progression

Target Notes and Passing Notes

Target notes are chord tones that are played in the melody that help outline the harmony. Passing notes are the notes played in between the target notes. Here's an analysis of the first line of the piece to illustrate.

The Charts

Help Sheets

Below are some two-page help sheets for the first two lines of the piece with some ideas on how to approach the chords there. The "Play Along" tab is a MuseScore file that you can play along with background chords.

A frequent chord progression in many genres, especially jazz, is a minor chord going to a dominant chord a fourth above it. It's called a ii-V (two-five) progression, and you can find them with the circle of fifths going counterclockwise from the ii chord to the V chord. Examples: Dm7→G7Dm7 \rightarrow G7Dm7→G7, Fm7→B♭7Fm7 \rightarrow B\flat7Fm7→B♭7, C♯m7→F♯7C\sharp m7 \rightarrow F\sharp7C♯m7→F♯7