C. Jazz Chord Voicings
A Few Basic Principles
Above all, use your ear and decide if it "sounds good."
Consider voice leading, especially in 2-5-1 progressions.
Try to avoid doubling notes, especially the third.
For two-handed comping, put the "shell" (3rd and 6th/7th) in the left hand and the "pretty notes" (9th, 13th, 5th, alterations) in the right.
Rootless voicings are a must when playing with others.
2+2 Voicings
If you only ever watch one video on jazz piano voicings, watch the one above.
4 Basic Chord Voicings
Once you are comfortable with the 2+2 voicing system, check out these ideas to expand your vocabulary.
Two-Handed 5-Note Voicings
“Miracle Voicings” (from Frank Mantooth, Voicings for Jazz Keyboard):
D G C F A
Strong Major BbMA9 (3rd, 7th present) Weak Major: F69 Minor: Dmi11 Sus. Dominant: G9sus Lydian: Eb MA9#11
Advanced Concept: Balancing the Voices
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